• Yuji Agematsu, untitled (detail), 2014, mixed media, dimensions variable.

    Yuji Agematsu

    Yale Union (YU)

    The use of trash in the making of art during the past century is so widespread as to defy summarization. Dada, Cubism, Arte Povera, and so-called abject art—not to mention the work of every other coffee-shop collagist and front-yard bricoleur—have all greatly depended on found refuse, with as many meanings generated as there have been artists repurposing the rubbish. Yuji Agematsu, a longtime New Yorker enjoying a happy renaissance (thanks in part to his 2012 exhibition at Real Fine Arts) after a twenty-year hiatus from solo exhibitions, uses garbage, too—in his case to elegantly

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