• View of “Hynek Alt,” 2014. Background: Untitled (Chair), 2014. Foreground: untitled, 2014.

    Hynek Alt

    Drdova Gallery

    Once upon a time, the invention of photography sparked great hopes: We would obtain a more objective record of reality by delegating the task of taking its imprint to a technical process. Some languages even call the camera’s system of lenses an “objective.” Yet faith in photography, it turns out, is mistaken, and worse, dangerous: It misleads us into trusting a photographically manufactured image not only more than a painted picture but even more than the reality we see with our own eyes, a trust that has been mercilessly exploited. The Slovenian-born photographer Aleksandra Vajd and her Czech

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