Bernardo Ortiz’s work often involves the rewriting and reconceptualization of images. Using drawing as his favorite technique, he takes existing images and pictures them anew, frequently via obsolete processes. Such transformations were showcased in the works in “Printed,” his recent show at Casas Riegner’s new project space, La Oficina del Doctor. For example, 12 Asuntos Abstractos (12 Abstract Matters), 2012, an installation that Ortiz first presented at the São Paulo Bienal that same year, departs from James Ensor’s etching Stars in the Cemetery, 1888. Ensor’s image lies at the edge of