View of “Silke Otto-Knapp,” 2014.

View of “Silke Otto-Knapp,” 2014.

Silke Otto-Knapp

Museo Marino Marini

View of “Silke Otto-Knapp,” 2014.

Silke Otto-Knapp is a painter, and, as Matisse wrote, “A painter doesn’t see everything that he has put in his painting. It is other people who find these treasures in it, one by one, and the richer a painting is in surprises of this sort, in treasures, the greater its author.” Indeed, Otto-Knapp’s solo show “Cold Climate” demonstrated that the closer viewers got and the more they concentrated on the works, the more they discovered a series of thoughts about the richness of the pictorial medium. The exhibition presented a selection of seven canvases painted in watercolor and gouache, set on freestanding mobile structures. The works are of similar size and their subjects are taken from the grand story of early-twentieth-century dance, including such milestones as The Rite of Spring (choreography by Vaslav Nijinsky, music by Igor Stravinsky) and Parade (choreography by Léonide

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