The first exhibition curated by Agustín Pérez Rubio, therecently appointed artistic director of the Museo de Arte Latinoamericano de Buenos Aires (MALBA), “Experiencia Infinita” (Infinite Experience) presented a cross section of live works orchestrated by eight of the most curatorially opportune artists of the moment. What all the pieces have in common is what might be called a designed perpetuity. Performers hired by the artists continuously enact their prescribed gestures—whether poetic, visceral, or data-driven—and, in doing so, transform the spaces they inhabit into theatrical