In dialogue with a long history of painters’ attempts to represent light and harness its dematerializing effects—from Vermeer to Monet to Rothko—the latest works by Florian and Michael Quistrebert sparkle and shine, thanks to the iridescent car paints and tiny, battery-powered lightbulbs used in many of them. In contrast to the brothers’ previous muted geometric compositions, their new paintings are characterized by thick gestural strokes and flashy jewel tones. “Hyperdelia,” the first exhibition dedicated to the “Overlight” series begun in 2013, introduced this body of work with a