reviews

  • View of “Lili Reynaud-Dewar,” 2015. From left: My epidemic, 2015; My epidemic (a body as public as a book can be), 2015.

    View of “Lili Reynaud-Dewar,” 2015. From left: My epidemic, 2015; My epidemic (a body as public as a book can be), 2015.

    Lili Reynaud-Dewar

    CLEARING

    When this year’s Venice Biennale director, Okwui Enwezor, asked Lili Reynaud-Dewar to propose a project, she produced My Epidemic (small modest bad blood opera), 2015. The theme of this “opera” is a reflection on AIDS, starting with a famous case from the beginning of the 2000s, when the French writer Guillaume Dustan was attacked by Didier Lestrade, a founding member of ACT UP Paris, for claiming that it was his personal and legal right to have unsafe sex and write about it.

    Reynaud-Dewar, who teaches at HEAD (Haute École d’Art et de Design) in Geneva, often works with different partners as part

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