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View of “Daniel Keller,” 2015. On floor, left and right: Onanet Spiruline 1 (detail), 2015. On floor, center: LLCMarriage Counseling: You Can Be Right or You Can Be Married, 2015. On wall: Stack Relief (Kai Zuckerberg + Bushwick Kutcher), 2015. Photo: Hans-Georg Gaul.

Daniel Keller

Kraupa-Tuskany Zeidler

View of “Daniel Keller,” 2015. On floor, left and right: Onanet Spiruline 1 (detail), 2015. On floor, center: LLCMarriage Counseling: You Can Be Right or You Can Be Married, 2015. On wall: Stack Relief (Kai Zuckerberg + Bushwick Kutcher), 2015. Photo: Hans-Georg Gaul.

Underpinning Daniel Keller’s recent exhibition “KaiDalston Bushwick” was a convoluted story of a love triangle unfolding in the near future. Finger-width tubes looping along the floor and sporting cubic-zirconia engagement rings were laced through holes in the walls. These tubes connected transparent glass cubes in different shades of green—aquaria filled with water and pumped full of air to foster the reproduction of spirulina, an edible algae that has been touted as a so-called superfood. This assemblage conveyed a fascination was with romantic relationships, specifically their logistics. Thus the show was concerned with all sorts of unions and separations.

This was arguably Keller’s most significant solo showing since the split, in 2012, of Keller/Kosmas (formerly Aids-3D, a collaboration with Nik Kosmas). Of course, Keller has been active on his own in the meantime,

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