reviews

  • View of “Nina Beier,” 2015. Foreground: Plunge (detail), 2014–15. Background: Liquid Assets, 2013. Photo: Fred Dott.

    View of “Nina Beier,” 2015. Foreground: Plunge (detail), 2014–15. Background: Liquid Assets, 2013. Photo: Fred Dott.

    Nina Beier

    Kunstverein Hamburg

    I am writing this on Monday, July 14, the day the president of the European Council, Donald Tusk, announced that Greece’s withdrawal from the EU—the dreaded “Grexit”—had been averted. The euro zone’s heads of state have agreed on a comprehensive package of spending cuts and reforms that lays down humiliating conditions that Greece must comply with in order to get new money going forward. The writers Maurizio Lazzarato and David Graeber have analyzed the moral and political dimensions of debt and demonstrated that people tend to respond coolly to the suffering of others who are in debt.

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