The sensation of continuous space and an underlying feeling of déjà vu resonated from the whimsical paintings of Brazilian-born Christian Rosa at White Cube São Paulo—the gallery’s final show in the warehouse it has used since 2012. “Mais que nada” (More Than Nothing), a solo outing by an artist little known in the country of his birth—he was raised in Austria, where he now lives—was a timely choice to end the gallery’s local exhibition calendar. The eye-catching quality of the seemingly unassuming squiggles, swirls, scribbles, and patches of color on the nine large, sparsely