Lais Myrrha
Galeria Jaqueline Martins | São Paulo
A large gray mound on the floor of the galleryvisible at an angle from the street, through the glass doorsuggested an indoor renovation project. But this seemingly mundane mass was actually part of one of the works in Lais Myrrha’s exhibition “O instante interminável” (The Interminable Instant). The video projection that lent its name to the show (all works 2015) seduced me for all of its nearly fourteen minutes. There was something familiar in its deliberate, fluid metamorphosis from pastel to hot huesthe formless patches of changing colors and textures reminded me first of