reviews

  • View of “Christopher Knowles,” 2015. From left: A Red Clock for Bob Dole, 2009; Untitled, 2012; A Blue Clock for Bill Clinton, 2009.

    View of “Christopher Knowles,” 2015. From left: A Red Clock for Bob Dole, 2009; Untitled, 2012; A Blue Clock for Bill Clinton, 2009.

    Christopher Knowles

    Institute of Contemporary Art, University of Pennsylvania

    With works dictated by clear binary divisions and rules followed to the letter, “Christopher Knowles: In a Word” demonstrated the steady, straightforward logic of an assured practitioner. Although Knowles is an exemplary artist’s artist—having developed something of a cult following within the art world—ICA’s expansive midcareer show was his first of this scale. The survey, which predominantly featured text-based drawings and paintings (with the notable exceptions of a few representational paintings and a handful of sculptures), fleshed out a lexicon constructed around a singular

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