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View of “Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian,” 2015–16. Photo: Charles Mayer.

Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian

ICA - Institute of Contemporary Art, Boston

View of “Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian,” 2015–16. Photo: Charles Mayer.

Ramin Haerizadeh, Rokni Haerizadeh, and Hesam Rahmanian’s project might be described as one of ecstatic accumulation. The Iranian-born, Dubai–based artists (two brothers and their childhood friend) live and work together in a shared home, the trappings of which rival the rococo extremes of Diana Vreeland’s Park Avenue apartment. At the ICA, the artists translated the logic of their living situation—both its aesthetic and its participatory ethos—into an immersive installation. Collages, assemblages, and videos produced collectively (many on-site) and individually evoke, by turns, the abject commodity-detritus of Isa Genzken, the fecund pictorial spaces of Persian miniatures, and the proprietary Conceptualism of Edward Krasiński (whose territorial blue-tape horizons they repurposed for this show). Strewn among the artworks are tchotchke readymades (piggy banks, baby dolls,

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