san-francisco

Noam Rappaport, Twos, 2015, oil, acrylic, paper on canvas, 90 × 55 × 2".

Noam Rappaport

Ratio 3

Noam Rappaport, Twos, 2015, oil, acrylic, paper on canvas, 90 × 55 × 2".

Noam Rappaport’s recent show at Ratio 3 represented a fresh, fruitful direction in the Los Angeles–based artist’s ongoing investigations of abstraction. On display were four “dogleg”-shaped canvases (versions of which were exhibited at James Fuentes Gallery in New York in 2014) and a new series of five sculptural reliefs, as well as several hybrid paintings, composed of multiple canvases joined together and overlaid with various collage elements, such as rope and scraps of wood (all works, 2015). Rappaport’s prolific, playful-yet-conscientious explorations of shape, color, and surface revealed that those elements destabilize as much as they dictate the perception of form, and his work stands in productive dialogue with the history of abstract painting: Ellsworth Kelly, Frank Stella, and Robert Rauschenberg come to mind, but so do lesser-known figures such as the late-1960s-to-early-’70s

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