This small exhibition at the Kunsthaus Zürich, where curator Adrian Sudhalter presented a meticulous reconstruction of Tristan Tzara’s book project Dadaglobe, uncovered two urgent desires on Tzara’s part: He aimed at an artistic production that could circulate, not only with mercurial ease, incorporating diverse forms and materials, but alsoas the title suggestson a truly planetary scale. Tzara planned to publish the anthology in 1921, conceiving it in close collaboration with Francis Picabia, but it was never realized. Both Tzara and Picabia were prolific editors of magazines, a privileged forum for Dada’s ephemeral and situational works. It seems that in order to transcend the usually national character of magazines, Tzara had to turn to the more stable and canonical form of the book. Richard Huelsenbeck had attempted a similar project in Germany under the name Dadaco
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