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Michael Joo, This beautiful striped wreckage (which we interrogate) . . . , 2016, video projection, mixed media, found objects. Installation view, Sailor’s Home. Photo: Miriam O’Connor.

the EVA International

Various Venues

Michael Joo, This beautiful striped wreckage (which we interrogate) . . . , 2016, video projection, mixed media, found objects. Installation view, Sailor’s Home. Photo: Miriam O’Connor.

LIMERICK’S EVA INTERNATIONAL dates back to 1977, when it began as an annual exhibition of contemporary works from Ireland and abroad. The show’s curatorial roster would eventually include such luminaries as the Italian art historian Germano Celant (in 1991), the Spanish curator Rosa Martínez (in 2000), and the Chinese curator Hou Hanru (in 2008). In 2012, EVA commenced a schedule of alternating years and rebranded itself with the subtitle “Ireland’s Biennial.” This most recent iteration, EVA’s third as a biyearly event, was curated by Koyo Kouoh, the Basel- and Dakar-based founding director of Raw Material Company, an arts initiative that bills itself as a resource center, gallery, and residency program supporting artistic production in Africa. Kouoh’s self-professed commitment to interrogating postcolonialism strikes a chord here, as Ireland reflects on the centennial of the 1916

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