reviews

View of “Anish Kapoor,” 2016. From left: First Milk, 2015; Today You Will Be in Paradise, 2016. Photo: David Regen.

Anish Kapoor

Gladstone Gallery | West 21st St

View of “Anish Kapoor,” 2016. From left: First Milk, 2015; Today You Will Be in Paradise, 2016. Photo: David Regen.

“Today You Will Be in Paradise,” Anish Kapoor’s exhibition at Gladstone Gallery this past spring, embarked on a visceral journey through the body, displaying sculptures that emulate its muscle fibers, fat, and intestines in a profusion of blood-red fluids, drippings, blobs, and creepy organic matter. Fearlessly, his senses fibrillating, Kapoor burrowed into the world of flesh.

Kapoor’s chief material, silicone, is significant: It is a substance associated with plastic surgery, most notably with breast implants, and here it conveys the body’s materiality with intensity and luminosity. While the distorting mirrored surfaces of his earlier sculptures give back images that verge on dreams, these works transport us, with no chance of escape, into an emphatically physical world. Nothing is dreamy here; we hover between repugnance and curiosity. Kapoor seems to be provocatively asking,

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the September 2016 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.