Liam Gillick’s art is often emphatically placeless. His most familiar sculptural works merge forms adapted from Minimalism with the faux-cheerful design styles of present-day corporate or commercial meeting areas, from boardrooms to bars. His typically CAD-drawn, RAL-colored, precision-made Plexiglas-and-aluminum structures recall labor or leisure spaces that we might pass through on a daily basis almost anywhere in the world. At the same time, Gillick’s design decisions are frequently informed by progressive art movements from earlier eras (De Stijl, the Bauhaus): varieties of functional,