Inspired by the singular if unfashionable vision of Franz Erhard Walther, under whom he studied at Hamburg’s Hochschule für Bildende Künste in the late 1990s, Jonathan Meese has developed a self-consciously grandiose vision of “total art” that continues to shape his output and its reception. This exhibition, “DR. TRANS-FORM-ERZ,” gathered seventy-odd drawings made by the German artist over the past twenty years or so, but only scratched the surface of his expansive and deliberately contrarian practice. A scattershot installation of works on paper in the gallery’s ground-level space was paired with a chaotic new installation in its upstairs room; together, these constituted a partial but characteristically ripe sampling of Meese’s various fixations, which are centered on historic cultural figures from Nero to Stalin, Richard Wagner to John Wayne.
Like many artists with similarly
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