“Soft power,” or the co-opting of personal desire through cultural persuasion, is a tactic employed by governments, terrorist organizations, and trolls alike. One could take ISIS and its media machine as a case in point, which is what Athens-based British artist Navine G. Khan-Dossos did through her exhibition “Command: Print.” Its centerpiece was Remaining and Expanding, 2016, a suite of thirty-six gouache-on-panel paintings sourced from the fifth issue (November 2014) of Dabiq, the online propaganda magazine of ISIS. Khan-Dossos reproduced pages from the issue and mounted the results together