View of “Cécile B. Evans,” 2017. Photo: Georg Petermichl.

View of “Cécile B. Evans,” 2017. Photo: Georg Petermichl.

Cécile B. Evans

Galerie Emanuel Layr | Vienna

View of “Cécile B. Evans,” 2017. Photo: Georg Petermichl.

Ask a robot, “What’s the weather like?” and you risk the response, “What’s the weather?” This punch line repeats throughout Cécile B. Evans’s growing oeuvre, which explores the psychological repercussions of the increasing encroachment of artificial intelligence into a terrain previously thought to belong exclusively to the human soul. Using videos, installations, holograms, and now what she calls an “automated play,” Evans questions our expectations regarding our relationships with machines as the latter learn to mimic us more and more, paradoxically gaining power through the simulation of human fragilities and failings.

As the weather punch line demonstrates, forging dialogue between man and machine can require finding more specific forms of inquiry: Evans has been experimenting with what she calls “hyperlinked narratives.” Taking a cue from online communications, this networked

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