The oeuvre of Edward Krasiński (1925–2004), one of the most creative minds of the past century, is far from unfamiliar to me. Krasiński’s Warsaw apartment/studio was opened to the public in 2007 as the Avant-Garde Institute and quickly became a popular stop for art professionals visiting the city. His work was introduced to broader audiences in Poland through a retrospective at the Bunkier Sztuki Gallery of Contemporary Art in Kraków in 2008. Having visited both, I did not expect to find many surprises in Liverpool. Yet the exhibition, curated by Kasia Redzisz and Stephanie Straine, did amaze