• Phillip Allen, Bombay Soutin, 2016, oil on board, 10 1/4 × 11 3/4".

    Phillip Allen

    Kerlin Gallery

    Until about five years ago, Phillip Allen’s paintings had two distinct—and dramatically contrasting—characteristics. One was an energetically inventive, frequently cartoonish style of colorful drawing. In each of his ebullient oil-on-board works he would essay illusionistic depictions of strange spaces, shapes, or structures—envisioning fanciful 3-D forms within the flat confines of a painting’s surface. The other hallmark of Allen’s art, however, was a preoccupation with the actual three-dimensional properties of paint: an interest declared in his prodigal application of heavy,

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