Two unexpected objects awaited us at the entrance to Bernard Voïta’s exhibition “Hétérotopies (Heterotopias).” On the left wall, a ribbon of shiny red metal folded out into the room from a metal frame like a bizarre relief. Angled on hinges, it changed direction several times only to return to the structure anchoring it. It was as if a line zigzagging across a luminous painting had attempted a daring escape into the third dimension before being folded back into the picture’s two-dimensional surface. This was Jalousie I (Venetian Blinds I, all works 2017). The name alludes to a Venetian blind,