Larry Zox, Cordova Diamond Drill, 1967, acrylic on canvas, 66 × 48".

Larry Zox

Berry Campbell

Larry Zox, Cordova Diamond Drill, 1967, acrylic on canvas, 66 × 48".

It’s hard to categorize Larry Zox’s painting, though many have tried. In 1965, his work appeared in the exhibition “Shape and Structure,” organized by Frank Stella and Henry Geldzahler, which positioned the artist’s work amid hard-edge Color Field painting and Minimalism. A year later, Lawrence Alloway included Zox’s art in the show “Systemic Painting,” implying the work is best understood as an example of repetition and systemization, then supposedly the new “in” thing. This exhibition at Berry Campbell, however, demonstrated that Zox’s work betrays these categories. The eighteen pieces displayed (four small works on paper, fourteen on canvas) don’t have the reductive look of Minimalism—their colors don’t form a uniform field—and their structures can’t be regarded as systems. The repetitions that occur in them tend to be limited, giving them an odd inconclusiveness,

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