Los Angeles

View of “Rebecca Warren,” 2017. Photo: Sean Logue.

View of “Rebecca Warren,” 2017. Photo: Sean Logue.

Rebecca Warren

Matthew Marks Gallery | 7818 Santa Monica Blvd

View of “Rebecca Warren,” 2017. Photo: Sean Logue.

In the Hadean period, the earliest geologic era in earth’s history, the planet’s defining characteristic was its hot, molten surface, which would ultimately cool and harden to create the relatively stable terra firma we enjoy today. Much later, following the arrival of Homo sapiens, the Bronze Age would see the advent of metal tools, after which the sturdier iron supplanted bronze; the alloy would thereafter become the medium of choice for artisans and sculptors. British artist Rebecca Warren recently produced a series of painted bronze sculptures titled “Los Hadeans” (all works 2017), whose spindly forms, like cattails gone to seed, call to mind both amorphous protean globs and the blue-chip bronze figurative works on which they are commonly seen as riffs. Yet Warren has remarked that her titles are intentional red herrings, and her “Hadeans,” invariably described as Giacomettiesque,

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