Thirty years after his first solo show in Europe, held at Galleria Lia Rumma, American artist Haim Steinbach returned to the same gallery with “lemon yellow,” an exhibition conceived specifically for its site. The result was a reflection, through images, on relationships between artist, collector, art object, and exhibition space.
Since the late 1970s Steinbach has focused on the presentation of everyday objects. Developing an irreverent and disorienting practice, linked only in part to the example of the Duchampian readymade, or to the reconsideration of objects effected by Pop art and hyperrealism, Steinbach chooses, repositions, and thereby embellishes objects, activating a complex mechanism of associations and connections that reveals their anthropological and semantic abundance. His is a research not into the iconic nature or recognizability of specific objects, so much as
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