Portuguese photographer André Cepeda offered us two groupsand kindsof photographs, nearly all untitled (but numbered) and all, in their different ways, more or less detached musings on aspects of his native country (his hometown, Porto, and São Paulo in Brazil, once a part of Portugal’s colonial empire). The color photographs of the latter, made in 2012, have a conventional clarity and obviousness; the former, mostly colorless photographs made in 2015, are more mysterious. The former feel self-conscious; the latter seem to spring directly from the unconscious. The muted light in Untitled A0026 and A006, 2015, makes the black formsall architectural detailsuncannily evident. Tonally sensitive, the Porto photographs grasp at a landscape that seems to be fading into absence. In contrast, the objects in the São Paulo photographs are frankly present.
Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.
Not registered for artforum.com?
SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*
* This rate applies to U.S. domestic subscriptions.