For an institution with a reputation for blockbuster exhibitions and kid-friendly programming, the Gallery of Modern Art made an unusual choice when it decided to mount a Gerhard Richter retrospective—his first in Australia. This was a measured affair, in contrast with the almost concurrent survey of the works of Yayoi Kusama, whose loud colors and easy interactivity were more faithful to the GoMA brand. Centering on the idea that Richter’s fascination with the iconographic resonance of painting and photography has itself become iconic, “The Life of Images” shows how Richter has spent a