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Scott McFarland, Untitled #9 (Sky Leaks), 2017, transmounted C print, LED lightbox, 50 x 40".

Scott McFarland

Galerie Division | Montréal

Scott McFarland, Untitled #9 (Sky Leaks), 2017, transmounted C print, LED lightbox, 50 x 40".

Toronto-based artist Scott McFarland doesn’t represent reality—he cultivates it. He is best known for creating dense composite landscapes—often gardens—that conflate the temporal and spatial coordinates of the not-quite-natural world. McFarland’s images hinge on artificiality—or at least assemblage—as do the photographs of Jeff Wall, for whom he worked as an assistant. And like many post-Conceptualist artists nostalgic for modernism, McFarland probes the specific properties of his media, although the media in question make for a decidedly unmodernist mélange that includes analog photography, digital editing, day-for-night cinematography, and the high-end T-shirts that McFarland uses to clean his lenses.

Consisting of three series as well as one video, McFarland’s recent show investigated the process and history of photography. Namely, “Thinking About a

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