In the belly of Hong Kong’s mass-transit railway system, along the underground walkway connecting the East Tsim Sha Tsui and the Tsim Sha Tsui lines, is Chi K11 Art Space, in the basement of the K11 Hong Kong Art Mall, where Lawrence Lek’s exhibition “2065” took place. Viewable through the glass panes that separate this project space from the transit walkways, the show was modeled after a gaming parlor and assembled in a low-lit, red-carpeted space. Here, a suite of high-definition, computer-generated-image (CGI) videos and five playable open-world video-game simulations—old-school consoles