Art history regularly yields works that are worlds unto themselves, that demand time of the viewer and can only be understood properly from an oblique perspective, from a precise viewpoint, performing something like a temporal rather than a spatial anamorphosis. Among these is Fabien Giraud and Raphaël Siboni’s series “The Unnamed,” 2014–, an epic tracing the world’s gradual algorithmization, which debuted at the Casino Luxembourg in January and will subsequently travel to the San Francisco Museum of Modern Art; the Fondation d’Entreprise Ricard in Paris, the Museum of Old and New Art in Hobart,