New York

Maren Hassinger, Our Lives, 2008/2018 newspaper, 72 × 72".

Maren Hassinger, Our Lives, 2008/2018 newspaper, 72 × 72".

Maren Hassinger

Susan Inglett Gallery

Maren Hassinger’s stunning exhibition “As One” covered more than forty years of the artist’s elegant and unassuming productions, and left me wanting more. (Thankfully, the Studio Museum in Harlem is presenting her sculptures in Marcus Garvey Park through 2019, and a large-scale exhibition organized by Los Angeles’s Art + Practice and the Baltimore Museum of Art opened at the latter this past summer). The eight works on view were spun from everyday materials, such as pink plastic bags (inflated with the breath of the artist and gallery staff) and strips of muslin dyed with tea and coffee to resemble an array of flesh tones. Girded by a palpable conceptual rigor, Hassinger’s gestures nonetheless remain tender. Take Consolation, 1974/2015, a sculpture made from ninety-one short pieces of wire rope, each partially unraveled so that it fans out like a flower. Pinned against the wall with a

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