There is a stark contrast between this exhibition, “O rigor da distração” (The Rigor of Distraction), and the first retrospective after Tunga’s death in 2016, “O corpo em obras” (The Body in Works) , held earlier this year at the São Paulo Museum of Art. While the earlier show presented a conventional display organized around discrete sculptural works, the show in Rio de Janeiro, curated by Luisa Duarte and Evandro Salles, focuses on drawing and presents it as a generative force rather than a stable medium. Given the protean nature of Tunga’s oeuvre, with its plethora of materials, multiple