Los Angeles

Neha Choksi, Copy (Elementary Sympathy Worksheet), 2018, marker on ink-jet print, 64 × 48". From “measuring with a bent ruler.”

“measuring with a bent ruler”

Actual Size

Neha Choksi, Copy (Elementary Sympathy Worksheet), 2018, marker on ink-jet print, 64 × 48". From “measuring with a bent ruler.”

The announcing dispatch promised this exhibition would “unravel,” and the unconventional group show was, indeed, deconstructed into a sequence of solo presentations—unwieldy exhibitions that embraced undoneness. Each iteration treated the exhibition space as a forum for making and showed works neither nascent nor completed by three artists (introduced in the press release as mutual strangers). Their pieces segued into one another conceptually as well as formally, offering distinct and complementary approaches to text, collage, and performance. 

PART ONE: Dylan Mira’s Night Vision (all works 2018) occupied the space first. Viewable only at night, Mira’s installation filled the storefront gallery with a wall-size video projection, a poem, a metal sculpture, and two improvisational music performances. At the start of the short film, two figures swing like pendulums on public

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