In a dimly lit room, a woman dressed in black slowly poured water from an earthenware pot. Cascading into a transparent tray, the water lapped at the walls of an exquisite miniature city painstakingly constructed of clay. This work, Evanescent Landscape—Svarglok, Jaipur, 2018, by Juree Kim, was inspired by the pink city of Jaipur and by an eighteenth-century Rajasthani miniature painting of Svarglok, the abode of the Hindu gods. Over the course of “Breaking Ground,” the inaugural Indian Ceramics Triennale, the action of the water gradually dissolved the sculpted earth, leading to the gentle