reviews

  • Ana Mazzei, Us and Them, 2018, eleven puppets composed of iron, wood, unfired clay, felt, linen, fabric, and painted ceramics, dimensions variable.

    Ana Mazzei

    Green Art Gallery

    Younger artists working with the vocabulary of Minimalism have joyously embraced its purported theatricality and have cultivated a post–Felix Gonzalez-Torres fascination with affect and the mechanics of its production. This often takes the form of a narrativized sentimentality, coupled with corporeal, alchemical, or mythological overtones. The critical literature on Ana Mazzei’s work has foregrounded the totemic quality of her quasi-Minimalist objects and the possibility that their “activation” may serve yet-unknown ends. Yet the Brazilian artist’s work, often featuring recognizable archetypes,

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