Berlin

Louise Bonnet, In Bed, 2018, oil on linen, 7' × 10' 1⁄8".

Louise Bonnet

Galerie Max Hetzler | Bleibtreustrasse

Seeing a reproduction of Louise Bonnet’s painting The Pond (all works 2018) on the invitation to her exhibition made me both curious and skeptical. It shows a woman posing in an uncomfortable, if not impossible, backbend curve, her form conjuring a shortened bridge, with her hands and feet under water. What we mainly see is a large body against a dark background. Face and individuality are hidden behind physicality. Firm, outsize breasts point straight up toward the sky. It is certainly a weird scene—but I couldn’t decide if it was weird as in interesting, or more like a cartoon or a forgettable gag.

I got my answer from the exhibition itself, which included six large oil paintings on linen, along with five smaller, colored-pencil works on paper. Most of these works had a single body as their protagonist, stretching, bending, or hiding behind hair. These bodies were voluminous, twisted,

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the February 2019 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.