A long, thin, rectilinear basin traced the perimeter of the gallery at the intersection of the walls and floor in Daniel Baird’s immersive allegorical environment murmur, 2019. Occupying the position normally held by a baseboard radiator, the basin contained a submerged collection of pumps and hoses. Pushed up against the gallery’s outer wall, on the floor, was an absurdly long power strip whose glowing red light confirmed that a live electrical current was running through the attached tangle of black cords, enabling water to travel from a holding tank up to ten spigots, most mounted on the