The invitation Trisha Donnelly designed for her show exemplified what her art is about: One side was taken up by an image showing a composition of colorful splotches with a yellow bar at its center, looking like a piece of masking paper streaked with splotches of watercolor. The other side was black, with red bundles of rays in the upper half; a luminous pink emblem near the bottom-right corner resembled an intricate neon logo that compressed the details of the exhibition to the verge of illegibility. The card’s aesthetic was undeniably cool, but it demonstratively didn’t cater to our curiosity.