Los Angeles

View of “Corita Kent and Matt Keegan,” 2019. Top row: Matt Keegan, “Cutouts (c is for Corita),” 2019; Bottom row: Corita Kent, “International Signal Code Alphabet,” 1968.

Corita Kent and Matt Keegan

POTTS

Amid the swelling civil unrest that would culminate in the international protest movements of 1968, a nun in Los Angeles was wavering in her faith. “I’m really frightened to say this,” Sister Corita Kent (1912–1986) wrote in a letter to a friend, “but everything appears different to me, even God, and I’m so afraid that I’m losing the foundation of my belief.” Soon thereafter, Kent took a sabbatical from her chairship of art at her order’s college and absconded to Cape Cod for the summer; by the end of her time there, she had decided to leave the order and renounce her vows. During this soul-searching break, Kent would watch the boats moving in and out of the harbor; inspired by the twenty-six letter flags of the International Code of Signals, a system used to communicate messages between ships, she created an elaborate series of serigraphic prints.

The installation of Kent’s series “

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