In “Rhythm and Senses,” a four-part treatise divided into three rooms, Tao Hui ruminated on the relationship between the individual and the collective, as mediated through digital-display infrastructures designed to reflect the physical world. The show opened with two small holograms, Untitled (Holographic Building 01) and Untitled (Holographic Building 02) (all works 2019), depicting po-mo apartment—block facades that appear to float on black glass. Positioned on the floor nearby was Screen as Display Body, 2019, a trolley with four LED screens racked up in succession, each broadcasting a single