Like a sleuth, the Italian artist Rossella Biscotti stalks her subjects for years, enfolding them into the fabric of her own existence. Her show “Three Works and a Script,” curated by Sara Dolfi Agostini, documented the progress of four forensic investigations into some of the covert psycho-social frameworks that not only underpin our assumptions about how things work but also, for that very reason, dictate how we behave.

In Alfabeto (Alphabet), 2018, twelve black-and-white photographs captured the consecutive position of a physiotherapy patient encased in the robotic exoskeleton of a Lokomat—a