Shanghai

Tao Hui, An interview with Leng Shuihua, writer of The History of Southern Drama, 2018, video, color, sound, 10 minutes 46 seconds. From “In My Room.”

“In My Room”

Antenna Space

Autofiction, as a genre, has sought to burn the safety blanket of detachment that poets and novelists often hide under, positing instead an authorial “I” that is very much “me,” but presenting occurrences that may or may not be factual. One of the landmarks of autofiction, Guillaume Dustan’s 1998 novel In My Room, brought its author instant notoriety for its (self-) portrayal of drug-fucked faggotry in mid-1990s Paris. Scenes drift from the eponymous bedroom to the darkroom and to the dance floors of Le Queen, a world of almost totally impassive hedonism, where happiness comes in forms that can either be snorted or inserted in the rectum.

“In My Room,” curated by Alvin Li, took Dustan’s novel as a curatorial jumping-off point, a chance to gather a selection of work by artists similarly treading the pathway between the quotidian and the psychopathological, giving the diaristic full bleed.

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