Since the early 1980s, Janet Burchill and Jennifer McCamley—working mostly collaboratively, at times independently—have made memory modern with such a determinedly light touch that their combinations of text, objects, and installations invoke several worlds at once, among them modernist design, art-house cinema, biomorphic sculpture, biology, anthropology, autobiography, and feminist art. They navigate these realms in such a way that none alone dominates. And their material inventory is equally disparate, taking in wood, colored acrylic, molded ply, resin, cast bronze, perforated aluminum, steel,