reviews

  • Maruch Sántiz Gómez, Pedazos de tortilla quemada y lo mordido por el ratón (Pieces of Burnt Tortilla and Bitten by the Mouse), 1994, gelatin silver print on paper, 22 5⁄8 × 18 3⁄4". From the series “Creencias” (Beliefs), 1994–96. From “Los huecos del agua” (The Gaps of Water).

    Maruch Sántiz Gómez, Pedazos de tortilla quemada y lo mordido por el ratón (Pieces of Burnt Tortilla and Bitten by the Mouse), 1994, gelatin silver print on paper, 22 5⁄8 × 18 3⁄4". From the series “Creencias” (Beliefs), 1994–96. From “Los huecos del agua” (The Gaps of Water).

    “The Gaps of Water: Recent Indigenous Art from Mexico”

    Museo Universitario del Chopo

    Mexico, according to the anthropologist Guillermo Bonfil Batalla, struggles to reconcile the two poles of its identity: Imaginary Mexico, which adheres to the Western project and seeks to propel it, and Deep Mexico, constituted by a resistant social base made up of the peoples who incarnate Mesoamerican civilization. This persistent conflict is reflected in the country’s contradictory attitudes toward the material culture of its indigenous peoples: While pre-Columbian artifacts are cherished as national treasures and exhibited with great fanfare in museums, the contemporary artistic output of

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