There was much to commend in “Hearts of Our People: Native Women Artists,” a survey of one thousand years of art by Indigenous women through 125 works. The exhibition didn’t rely on the usual curatorial model, in which non-Native curators assemble Indigenous art based on geographic or formal affinities, sometimes with a small group of Indigenous advisers to legitimize their efforts. At the Minneapolis Institute of Art, curators Jill Ahlberg Yohe and Teri Greeves, the latter a Kiowa artist, worked with nineteen advisers, the majority of whom were Indigenous artists, curators, and scholars. Their