London

Andrea Büttner, Deutsche Bundesbank Dining Room, 2019, cardboard, book-binding linen, 8 1⁄4 × 29 3⁄4 × 20 7⁄8".

Andrea Büttner, Deutsche Bundesbank Dining Room, 2019, cardboard, book-binding linen, 8 1⁄4 × 29 3⁄4 × 20 7⁄8".

Andrea Büttner

Hollybush Gardens

High overhead in the blue, barrel-vaulted firmament: potatoes. Painted, not real. Of the versatile tuber, Andrea Büttner has said they are “what maybe Duchamp would have called a ‘prime word.’ Within art there are forms that can be poo, or bread, or a potato, so they are kind of ambiguous primal shapes.”And here they were, on the gallery ceiling, twinkling, transubstantiated spuds in a field of precious ultramarine. “We have,” they seemed to say with a knowing wink, “transcended our earthly stature.” Büttner’s work has long been invested in probing theologically inflected binaries (high and low, sacred and profane, private and public, spiritual and material), frequently linking them to social and institutional critiques of art and its more worldly contexts. At the heart (the soul?) of the artist’s recent exhibition “The Heart of Relations” was a kind of aesthetic and Conceptual syncretism:

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