Walking into Elizabeth Price’s “A LONG MEMORY” is like entering a giant Rorschach test. A nearly symmetrical display containing two-dimensional works in the bright atrium gallery is complemented by darkened adjoining wings holding a miniretrospective of Price’s moving-image work. As a psychological mind map connecting the space between the left and right sides of the brain, so to speak, the central installation of three otherwise disparate recent works attempts to synthesize subjective dichotomies from past and present in Price’s oeuvre.

The central work in this space is The Albert Walker Archive