reviews

  • Ilit Azoulay, Forget Me Not, 2019, ink-jet print, 33 1⁄8 × 92 1⁄2". From “Transferumbau: Liebling” (Transfer Rebuild: Liebling).

    Ilit Azoulay, Forget Me Not, 2019, ink-jet print, 33 1⁄8 × 92 1⁄2". From “Transferumbau: Liebling” (Transfer Rebuild: Liebling).

    “Transferumbau: Liebling”

    Liebling Haus—The White City Center

    A collaboration between the Liebling Haus in Tel Aviv and the Bauhaus Dessau Foundation in Dessau, Germany, “Transferumbau” (Transfer Rebuild) was the outcome of a three-year research project conducted by the curator Hila Cohen-Schneiderman and the artists Ilit Azoulay, Lou Moria, Nir Shauloff, and Jonathan Touitou. The exhibition, appearing concurrently in both cities, took its cue from the Haavara Agreement, a controversial deal made in 1933 between Zionist organizations and Nazi Germany that allowed the most affluent of the country’s Jewish population to leave for Mandatory Palestine and

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